Landr sessions review12/5/2023 Even an annual CloudBounce subscription with unlimited masters costs less than a suite of high quality plug-ins or an actual mastering session. If you don't have the prerequisite saturators, compressors, EQs, multi-band compressors, limiters and whatnot, a one-off mastering fee of $4.90 is pretty attractive. But besides a good ear, good monitoring, a lot of concentration and a light touch, DIY mastering does require multiple, sometimes expensive, plug-ins. However, electronic dance music producers are generally more likely to toy with mastering their own music, given their role is closer to that of an engineer than a regular musician. And it's certainly healthier for a musician to be thinking of creative questions rather than learning the ins and outs of such a demanding technical task. So in that sense, they're not to be sniffed at. Rather, it indicates that they're most useful for amateurs trying to take their craft to the next level-meaning, the vast majority of musicians and producers. The recently launched 2.0 version of their mastering algorithm comfortably covered my own (admittedly rudimentary) masters in these dance music-focused tests. This isn't to downplay what CloudBounce offers. And even then, you might prefer your own DIY mastering skills. If you're a professional producer with a release schedule, you'd at best use cloud mastering to polish up a demo you wanted to play out. But you can get a serviceable master back in a few minutes for a fraction of the usual cost. For instance, you cannot use an algorithmic master to cut vinyl. While they're in the business of mastering music, it's a pretty different service to their human counterparts, offering different priorities, strengths and weaknesses. Indeed, they were developed in Abbey Road's own music tech incubator. CloudBounce don't see themselves as being in competition with humans in studios. These services have strengths but they pose little threat to actual mastering engineers. Considering how new the technology is, the results are pretty good, especially when the process consists of simply paying a few bucks, dragging and dropping your track into a browser and twiddling your thumbs for a few minutes. The likes of LANDR, Masterlizer, eMastered, ARIA and CloudBounce all promise fast, high quality services. Now it's a growing market with an increasing field of competitors. If you suggested the idea of an algorithmic, automated mastering service ten years ago, you would've been laughed out of the studio.“Our main goal, as we developed more and more tools to expand on our industry-leading mastering product, was to curate everything an artist would need in a way that would be trivial for them to learn using, while keeping the costs low so that everyone will be able to afford the tools used by professionals to sound great.”įind out more about LANDR and their services here. “All Access brings together all parts of the creative workflow that we have been working on for eight years now, providing music makers with everything they need to create, collaborate, master and distribute their music worldwide” said LANDR CEO Pascal Pilon. Alternatively, you can have a rolling contract, with no commitment for £18 a month. Or you can pay upfront at £108 for the whole year. The new plan is now at a lower price, starting at £7.50 for the first six months and then £11.25 per month after that, locked into 12 months. The new pass offers users three masters a month via their in-browser AI mastering tool, access to LANDR’s samples library, dedicated space to store projects and backup files, Sessions, which gives you access to high-quality video streaming for collaboration and Distribution, which means you can release music on digital music platforms like Spotify, Apple Music, and over 150 more. LANDR – the online music mastering and distribution platform – has announced a new, cheaper All Access Pass.
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